If a character feels flat (and you don’t want them to be the Bond type), turn to goal, motivation and conflict. Turn to GMC to make static characters dynamic.In a series with flat main characters, change often comes from new locations, interesting walk-ons – for example, memorable villains and their hairless cats. Give flat series characters dynamic experiences.To write more dynamic, three-dimensional protagonists, think of subtle or overt ways their personality or attitudes might change. Change personality and attitude for dynamic arcs.Give characters a reason to be flat (for example, often a killer-for-hire is portrayed as having some brutalizing trauma in their past). Work why characters are flat into your story. This comes from the phrase meaning to back a gem in jewelry with a foil, metal that makes the gem shine more brightly.
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